IP, Internet & Compliance

Copyrights

Registration is cheap. Infringement isn't.

Copyright protects a work the moment it's fixed in a tangible medium, whether recorded, written, coded, or photographed, but the protection a business can enforce depends on how the rights are owned, registered, licensed, and defended. Hank has counseled creators and companies on copyright from the first ownership question through registration, licensing, and the infringement claims and appeals in which courts determine who controls a work and who profits from it.

Ownership is the first question to resolve, because the person who creates a work isn't always the person who owns it. An employee's work created on the job belongs to the employer under the work-for-hire doctrine. A contractor's work belongs to the contractor unless a written agreement assigns the rights to the commissioning party. A jointly created work may leave each contributor a co-owner who can license the entire work without the others' consent, subject only to a duty to account for any revenue received. Registration with the U.S. Copyright Office is a prerequisite to filing suit in federal court. Timely registration, filed before infringement begins or within three months of first publication, entitles the owner to statutory damages ranging from $750 to $30,000 per work infringed, up to $150,000 for willful infringement, plus attorney's fees, instead of having to prove actual losses that are often difficult to quantify.

Copyrights earn their value through licensing, and Hank drafts and negotiates exclusive and non-exclusive licenses, assignments, and work-for-hire agreements that transfer rights without surrendering more than the owner intends. Copyright law also lets an author reclaim rights that were signed away. Under Section 203 of the Copyright Act, an author who assigned or exclusively licensed a copyright may terminate that grant decades later and recover the rights, and Hank has litigated Section 203 termination claims through the federal courts of appeals. When someone copies a work without authorization, Hank sends DMCA takedown notices to hosts and platforms, responds to wrongful takedowns filed against clients, and brings or defends infringement suits where the case turns on access, substantial similarity, and fair use.

Hank has handled copyright cases for software companies, recording artists, writers, photographers, and businesses protecting content they paid to create, and he has carried the hardest of those cases through trial and appeal. Every engagement works toward the same result, an owner who knows what rights it owns, what it has licensed, and what it can stop, with the registrations and documentation to prove each one.

Services Include

  • Copyright registration with the Copyright Office
  • Ownership, work-for-hire, and assignment analysis
  • Exclusive and non-exclusive licensing
  • Section 203 termination of transfers
  • DMCA takedowns and counter-notices
  • Software, music, and creative-work rights
  • Copyright infringement claims and defense
  • Copyright litigation and appeals

Copyrights Insights

Copyright Duration and the Public Domain

Copyright expires. Every copyrighted work eventually enters the public domain, where anyone can use it without permission, without a license, and without paying royalties. But "eventually" can mean very different things depending on when the work was created, whether it was published, who created it, and whether the copyright owner followed the formalities that older law required.

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Copyright Assignments and Transfers

Copyright is a bundle of exclusive rights. Reproduction, distribution, public performance, public display, and the right to create derivative works are all separate sticks in the bundle, and each can be transferred, licensed, or retained independently.

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Copyright Registration and Why Timing Determines What You Can Recover

Copyright exists the moment an original work is fixed in a tangible medium. Registration with the U.S. Copyright Office is voluntary. But the remedies available in an infringement suit depend almost entirely on whether the owner registered, and when.

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Copyright Ownership and the Work-for-Hire Doctrine

Copyright belongs to the person who creates the work. 17 U.S.C. § 201(a). That default rule governs every photograph, every line of code, every design, and every written document produced by anyone, anywhere, unless an exception applies. For businesses, the most important exception is the work-for-hire doctrine, which vests copyright in the employer or commissioning party rather than in the individual who created the work.

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Proving Copyright Infringement

A copyright infringement claim requires proof of two things. First, the plaintiff must own a valid copyright in the work. Second, the defendant must have copied protectable elements of that work. Both elements must be established before a court reaches the question of remedies, and both involve layers of analysis that determine whether a claim survives a motion to dismiss, survives summary judgment, and ultimately prevails at trial.

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Fair Use, the Four-Factor Test, and When It Doesn't Protect You

Fair use is the most commonly invoked and most commonly misunderstood defense in copyright law. Under 17 U.S.C. § 107, the fair use of a copyrighted work for purposes such as criticism, comment, news reporting, teaching, scholarship, or research is not infringement.

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DMCA Takedown Notices

A DMCA takedown notice is the most commonly used copyright enforcement tool on the Internet. Under Section 512 of the Digital Millennium Copyright Act, a copyright owner who finds infringing material on a website or platform can send a written notice to the service provider's designated agent, and the provider must expeditiously remove or disable access to the material.

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Copyright Licensing

A copyright owner who never licenses the work owns an asset that produces no revenue. A copyright owner who licenses without proper documentation may discover that the licensee claims broader rights than the owner intended to grant, or that the license is unenforceable, or that the owner inadvertently transferred ownership instead of granting permission.

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Copyright Termination Rights Under Section 203

An author who assigns a copyright or grants an exclusive license often does so early in the work's life, before the work's value is known. A songwriter signs a publishing deal for a modest advance. A novelist assigns all rights to a publisher for a royalty that seems reasonable at the time.

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Music Copyright, Sampling, and Licensing

Every recorded song involves two separate copyrights. One protects the musical composition, the notes, melody, harmony, rhythm, and lyrics. Another protects the sound recording, the specific recorded performance of that composition. Different people typically own each copyright, and different rules govern how each can be used, licensed, and enforced.

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Artificial Intelligence and Copyright

Artificial intelligence is producing text, images, music, code, and video at an unprecedented scale, and copyright law has not caught up. Two foundational questions are in active litigation across the federal courts. First, can a work generated by AI be copyrighted, and if so, who is the author?

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Copyright Protection for Architectural Works & Other Designs

Architects, owners and developers can benefit from understanding the role that intellectual property law plays in protecting architectural plans and building designs. Copyright law lends itself more to the types of protections that architects would tend to seek, while trademark law is generally more applicable to building or business owners.

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